Mikhail Bulgakov. The Master and Margarita (1997) -
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completely white with horror, and the crimson armband of the woman driver
bearing down on him with irresistible force. Berlioz did not cry out, but
around him the whole street screamed with desperate female voices.
The woman driver tore at the electric brake, the car dug its nose into
the ground, then instantly jumped up, and glass flew from the windows with a
crash and a jingle. Here someone in Berlioz's brain cried desperately: 'Can
it be? . ..' Once more, and for the last time, the moon flashed, but now
breaking to pieces, and then it became dark.
The tram-car went over Berlioz, and a round dark object was thrown up
the cobbled slope below the fence of the Patriarch's walk. Having rolled
back down this slope, it went bouncing along the cobblestones of the street.
It was the severed head of Berlioz.
The hysterical women's cries died down, the police whistles stopped
drilling, two ambulances drove off -- one with the headless body and severed
head, to the morgue, the other with the beautiful driver, wounded by broken
glass; street sweepers in white aprons removed the broken glass and poured
sand on the pools of blood, but Ivan Nikolaevich just stayed on the bench as
he had dropped on to it before reaching the turnstile. He tried several
times to get up, but his legs would not obey him -- something akin to
paralysis had occurred with Homeless.
The poet had rushed to the turnstile as soon as he heard the first
scream, and had seen the head go bouncing along the pavement. With that he
so lost his senses that, having dropped on to the bench, he bit his hand
until it bled. Of course, he forgot about the mad German and tried to figure
out one thing only: how it could be that he had just been talking with
Berlioz, and a moment later - the head . . .