Mikhail Bulgakov. The Master and Margarita (1997) -
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twilight that he had a little moustache like chicken feathers, tiny eyes,
ironic and half drunk, and checkered trousers pulled up so high that his
dirty white socks showed.
Mikhail Alexandrovich drew back, but reassured himself by reflecting
that it was a stupid coincidence and that generally there was no time to
think about it now.
'Looking for the turnstile, citizen?' the checkered type inquired in a
cracked tenor. This way, please! Straight on and you'll get where you're
going. How about a little pint pot for my information ... to set up an
ex-choirmaster! . ..' Mugging, the specimen swept his jockey's cap from his
head.
Berlioz, not stopping to listen to the cadging and clowning
choir-master, ran up to the turnstile and took hold of it with his hand. He
turned it and was just about to step across the rails when red and white
light splashed in his face. A sign lit up in a glass box: 'Caution
Tram-Car!'
And right then this tram-car came racing along, turning down the newly
laid line from Yermolaevsky to Bronnaya. Having turned, and coming to the
straight stretch, it suddenly lit up inside with electricity, whined, and
put on speed.
The prudent Berlioz, though he was standing in a safe place, decided to
retreat behind the stile, moved his hand on the crossbar, and stepped back.
And right then his hand slipped and slid, one foot, unimpeded, as if on ice,
went down the cobbled slope leading to the rails, the other was thrust into
the air, and Berlioz was thrown on to the rails.
Trying to get hold of something, Berlioz fell backwards, the back of
his head lightly striking the cobbles, and had time to see high up -- but
whether to right or left he no longer knew -- the gold-tinged moon. He
managed to turn on his side, at the same moment drawing his legs to his
stomach in a frenzied movement, and, while turning, to make out the face,