Mikhail Bulgakov. The Master and Margarita (1997) -
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because he knew that the dead city would resurrect once the name of the
lucky man was spoken, and no further words would be heard. 'All?' Pilate
whispered soundlessly to himself. 'All. The name!' And, rolling the letter
'r' over the silent city, he cried:
'Bar-Rabban!'
Here it seemed to him that the sun, clanging, burst over him and
flooded his ears with fire. This fire raged with roars, shrieks, wails,
guffaws and whistles.
Pilate turned and walked back across the platform to the stairs,
looking at nothing except the multicoloured squares of the flooring under
his feet, so as not to trip. He knew that behind his back the platform was
being showered with bronze coins, dates, that people in the howling mob were
climbing on shoulders, crushing each other, to see the miracle with their
own eyes - how a man already in the grip of death escaped that grip! How the
legionaries take the ropes off him, involuntarily causing him burning pain
in his arms, dislocated during his interrogation; how he, wincing and
groaning, nevertheless smiles a senseless, crazed smile.
He knew that at the same time the convoy was already leading the three
men with bound arms to the side stairs, so as to take them to the road going
west from the city, towards Bald Mountain. Only when he was off the
platform, to the rear of it, did Pilate open his eyes, knowing that he was
now safe -- he could no longer see the condemned men.
Mingled with the wails of the quieting crowd, yet distinguishable from
them, were the piercing cries of heralds repeating, some in Aramaic, others
in Greek, all that the procurator had cried out from the platform. Besides
that, there came to his ears the tapping, clattering and approaching thud of
hoofs, and a trumpet calling out something brief and merry. These sounds
were answered by the drilling whistles of bovs on the roofs of houses along