Mikhail Bulgakov. The Master and Margarita (1997) -
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right...'
'Believe me,' the poet rasped into his ear, 'he's pretending to be a
fool in order to find out something or other. Just hear how he speaks
Russian.' As he spoke, the poet kept glancing sideways, to make sure the
stranger did not escape. 'Let's go and detain him, or he'll get away . . .'
And the poet pulled Berlioz back to the bench by the arm.
The unknown man was not sitting, but was standing near it, holding in
his hands some booklet in a dark-grey binding, a sturdy envelope made of
good paper, and a visiting card.
'Excuse me for having forgotten, in the heat of our dispute, to
introduce myself. Here is my card, my passport, and an invitation to come to
Moscow for a consultation,' the stranger said weightily, giving both writers
a penetrating glance.
They were embarrassed. 'The devil, he heard everything .. .' Berlioz
thought, and with a polite gesture indicated that there was no need to show
papers. While the foreigner was pushing them at the editor, the poet managed
to make out the word 'Professor' printed in foreign type on the card, and
the initial letter of the last name - a double 'V' - 'W'.
'My pleasure,' the editor meanwhile muttered in embarrassment, and the
foreigner put the papers back in his pocket.
Relations were thus restored, and all three sat down on the bench
again.
'You've been invited here as a consultant. Professor?' asked Berlioz.
'Yes, as a consultant.'
"You're German?' Homeless inquired.
'I? . ..' the professor repeated and suddenly fell to thinking. 'Yes,
perhaps I am German .. .' he said.
'YOU speak real good Russian,' Homeless observed.
'Oh, I'm generally a polyglot and know a great number of languages,'
the professor replied.
'And what is your field?' Berlioz inquired.
'I am a specialist in black magic.'
There he goes!...' struck in Mikhail Alexandrovich's head.