Mikhail Bulgakov. The Master and Margarita (1997) -

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     The touchstone character of the novel is Ivan Homeless, who is there at
the start,  is  radically changed  by  his encounters  with  Woland and  the
master, becomes the latter's 'disciple' and  continues his  work, is present
at  almost every  turn of the novel's  action,  and appears  finally  in the
epilogue.  He  remains  an  uneasy  inhabitant  of 'normal'  reality,  as  a
historian  who 'knows everything',  but  each year,  with the coming of  the
spring  full moon, he returns to the parable which for this world looks like
folly.
     Richard Pevear



     A Note on the Text and Acknowledgements
     At his  death,  Bulgakov  left The  Master and Margarita  in a
slightly
unfinished state.  It contains, for instance, certain  inconsistencies - two
versions  of  the 'departure' of the master  and Margarita, two  versions of
Yeshua's  entry into  Yershalaim, two  names for  Yeshua's native  town. His
final revisions, undertaken in October of 1939, broke off  near the start of
Book Two. Later  he dictated  some additions  to his  wife, Elena Sergeevna,
notably the opening  paragraph  of Chapter 32 ('Gods, my  gods! How sad  the
evening earth!').  Shortly  after his death  in 1940, Elena Sergeevna made a
new  typescript of the novel. In 1965, she  prepared  another typescript for
publication, which differs slightly from her 1940 text. This  1965  text was
published by Moskva in  November 1966 and January 1967. However, the
editors
of the magazine made cuts  in it  amounting to some sixty typed pages. These
cut  portions   immediately   appeared   in   samizdat   (unofficial 
Soviet
'self-publishing'), were published by Scherz Verlag in Switzerland in  1967,
and were then included  in the  Possev  Verlag  edition  (Frankfurt-am-Main,
1969) and the  YMCA-Press edition  (Paris,  1969). In  1975  a  new  and now
complete  edition came out in  Russia,  the result  of a  comparison  of the

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